Jkontakt scarbee bass hammer on how to Patch#
Jkontakt scarbee bass hammer on how to full#
Jkontakt scarbee bass hammer on how to software#
Jkontakt scarbee bass hammer on how to series#

A powerful user interfaceВ that fully exploits the Kontakt user interface: a fretboard display gives an overview of the playing position.

Hammer-on & pull-offs are triggered by legato playing and fast grace notes by fast legato playing.

Playable in real timeВ вЂ“ with the exception of cross hammering and trills, all of the articulations in the list given further below can be triggered without the need for any keyswitches.

And thanks to some sophisticated scripting, SCARBEE MM-BASS AMPED comes vividly to life with features such as a dynamic fretboard display, chord recognition, random alternation between varying release samples, random insertion of pickup hits and realistic vibrato вЂ“ all to put the swagger into your groove.

It features an extensive set of playing techniques including sustains, mutes, harmonics, hammer-ons, pull-offs, slides and more. SCARBEE MM-BASS AMPED is much more than just a collection of samples.

Jkontakt scarbee bass hammer on how to full#

The full strings of the bass were sampled in order to reproduce the timbre changes that occur when you move between low and high frets вЂ“ giving you rich, natural sound with all the overtones. The SCARBEE MM-BASS AMPED was recorded with flatwound strings to get that warm, creamy sound of 1970s bass lines. Pop is a fat and crispy bass sound specially produced for R&B and pop oriented music productions. Heavy is an edgy and hard bass sound specially produced for heavy rock oriented music productions.Д¬runchy is a powerful and mildly distorted bass sound specially produced for rock oriented music productions. In order to give you ready-to-use sounds for your productions, SCARBEE MM-BASS AMPED offers the choice between four different amp setups.ДЇat is a round and tight bass sound specially produced for rock and pop oriented music productions. The amped version includes the same content as SCARBEE MM-BASS, but provides four different amp sounds.

Jkontakt scarbee bass hammer on how to series#

Bringing you the warm and creamy fingered bass sound of the 70s known from countless disco and funk recordings, SCARBEE MM-BASS AMPED is an outstanding addition to our series of вЂњPowered-by KONTAKTвЂќ instruments вЂ“ ready for use with the free KONTAKT PLAYER or KONTAKT. I've changed both so that they're streaming - the drive are fast enough to handle it.SCARBEE MM-BASS AMPED is based on the highly-regarded Scarbee Black Bass created by accomplished bassist and producer Thomas Hansen Skarbye and inspired by the sound of Bernard Edwards (Chic). I assume that's why Scarbee is more efficient for you - Kontakt is probably loading less into memory. Or change the preload size so that less gets loaded into memory and more is streaming.

Jkontakt scarbee bass hammer on how to Patch#

There are Lite versions of each patch which you may want to use if you really like a particular sound and memory is slim. If you're using ProTools (32 bit at this point), it won't much matter that you have 6GB because it's not accessible, and Trilian will drain what you do have quickly. Everything plays and sounds very natural. Scarbee uses less RAM and just has an incredible feel and sound. I have run out of memory several times working with them on my 6GB Mac Pro. But some of the Trillium full basses are huge (> 1GB). It includes things like fretless and upright which you can't get through Scarbee. Trillium offers a lot of bang for the buck and it's very high quality stuff. Scarbee and Trillum both have noticeable load times as their instrument sizes are much larger.

Jkontakt scarbee bass hammer on how to software#

This is one of its greatest advantages over many other sample-based software products. But remember Xpand has nearly instant load for all of its sounds. ROMplers (hardware workstations) do this all the time. They do this to reduce the sample size with the rationalization most people don't play that high up anyway. There are limits as to how far up you can stretch without it being noticeable. The reason for this is that Xpand will use a simple sample at the high end and stretch it to cover the notes all the way up.

I find with xpand/structure free (no matter how much tweaking, i.e varying velocities, legato gap, note duration etc) that the higher you go on the virtual fretboard the more 'virtual' they sound.

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